Jotcamp is a pair of art students with some vague principles on media gluttony. We don’t want to just sit back and consume all the tasteful art we come across, so we’ve made this blog to compile and comment on that delicious media to keep our TV, music, and movies habit from becoming a one way conversation.
The Catholic proclivity for placing saints and crosses and other assorted bronze junk atop Roman and Egyptian monuments really drove me nuts. Did Trajan’s Column really need a statue of Peter on it? It just feels like such a cloying ostentatiousness. Maybe the next time I read some Renaissance history, I’ll cheer a little harder for the Reformation.
I got into Quest For Fire’s 2010 album while I was gone. It felt like a natural progression from their first album, which I liked a lot, and I love the cover art. A lot of modern bands seem to rock this type of bottom-heavy distortion, and I really need to dig around the internet and figure out what their set-up is. Hopefully because they’re a Canadian band, their equipment will be easy to track down.
6 Plays
I took a few newish albums with me to Italy and they were pretty hit and miss. My favourite has to be 4 by Rotor, a German post-rock band that’s been putting out records since 2001. Their fourth album is filled with tons of great riffs and enviable guitar tones. I need to go and track down some more stuff by them for sure.
0 Plays
As usual I didn’t post these songs in the right order. I really thought I’d done something from Ramases’ Space Hymns before, but as I haven’t, here’s the opening track, Life Child. It has about 50 seconds of ambient flute stuff, but after that, it’s one of the best psychedelic guitar pieces ever recorded, and it has one of my favourite guitar solos.
Though Ramases died in 1978, a significant fan network has built up around his two albums. If you want to read about him and his career, there’s an extremely detailed fan site here run by Brian Currin.
13 Plays | Download
I’d never thought to look for another Ramases record after listening to the debut, Space Hymns, because it seemed so unlikely to me that a record company would twice back a guy who claimed to be the reincarnation of a Pharaoh, destined to spread through the world the truths he’d learned about the universe during his multi-millennia trip through the after-life.
But Vertigo was such a company, and apparently Ramases (Barrington Frost) had a fair bit of charisma since he scored the services of Royal Philharmonic Orchestra members for this record. I love Ramases’ first album for its unabashed strangeness and eclectic psychedelic moments, but Glass Top Coffin might actually be a lot better. Its songs feel more cohesive, all focussed on a progressive rock space opera that unfolds at just the right pace.
8 Plays
The Vatican Museum was huge, and I hadn’t learned to turn the camera off between seeing things, so it actually died before I got to any of the paintings. Luckily I got to all the Greek and Roman statues, like Laocoon here.
Lindisfarne’s second album,Fog On The Tyne, was just as magical as the first, full of lots of short folk songs. I love the amount of harmonica that’s played on this album, and all of the vocalists have wonderful British voices. Some people think that most of the songs are short because their record company was pressing them to produce records too quickly, but I think some of it has to do with the band pursuing more of a traditional blues and country style without a lot of psychedelic touches like lengthy soloing.
4 Plays | Download
Smith, the late-60s act featuring Gayle McCormick’s fantastic vocals, is another band whose second album I’ve only recently come across. Their debut album, A Group Called Smith, is one of my favourite psychedelic records, and this one, Minus-Plus, has already claimed a lot of my listening time. They still had this weird tendency to under-use McCormick. The guys aren’t bad singers exactly, but it just seems crazy not to sub her in on a verse occasionally.
6 Plays
The first thing we went to in Rome was St. Peter’s Basilica, which may have been a mistake since I wasn’t really good at using the camera at that point, so most of what I have came out blurry. As though trying to make me feel the pressure of my camera fumbling, the first thing the tour took us to was Michelangelo’s Pietà.
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